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Manuel de Falla: Homenaje pour 'Le tombeau de Claude Debussy,' for guitar, G - Play streams in full or download MP3 from Classical Archives. Documents Similar To Falla Manuel de Homenaje Pour Debussy Guitar. Manuel de Falla-homenaje Pour Le Tombeau de Debussy. Uploaded by. fuckchristmas. What makes Manuel de Falla's Homenaje a masterpiece? Guitarist Rey de la Torre wonderfully articulates the issue in an interview (now.


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Rey de la Torre discusses Manuel de Falla’s Homage to Debussy

For example, on the downbeat of measure 19, a critical moment in the work, the composer sounds the notes from bottom up C, G, De falla homenaje guitar, creating a C 9 chord. This type of chord voicing is heard again in measures I particularly like the haunting shift in mood in measure 24 with the change of color on the recording.

Here we have an A major 7th chord but the F is there as part of the motive and creates an uneasiness. It is the contrasting color of the chord that is so arresting.

Reflections on Manuel de Falla’s Homenaje — Benjamin Verdery

The most striking dissonant chord happens in measure 34 where we see within the chord a fifth, a fourth and an augmented fourth on the top. I believe Falla was thinking more of the guitars sonorities and tying them in with the original notes of the opening motive.

This climatic moment is followed by a run that takes us off into an entirely new section of the work both rhythmically and melodically. These harmonies offer a musical instability that gives the work a mournful tone while also propelling the work forward.

The main motive and the evocative chords create a modal atmosphere, which is characteristic of de falla homenaje guitar Spanish music. What is particularly beautiful is the chord after the fermata in measure It is an A major chord and de falla homenaje guitar final chord, but the chord is set off balance because of the F which continues on through completing the opening motive.

Homenaje (Falla, Manuel de) - IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Falla tells you precisely de falla homenaje guitar he wants you to play the piece dynamically and rhythmically. Falla was clearly a stickler for detail. Right from the opening notes of the piece, he is notating specific dynamic and articulation markings.

Not on any specific piece. They must have known each other.

Homenaje (Falla, Manuel de) - IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Oh yes, they knew each other. And they were good friends. Yes, and Falla had a great admiration for Llobet as a musician, and as a person. As you know, Falla was very strict in his ethical view de falla homenaje guitar people. Besides being talented, they would have to have what he would think a minimum of morals, ethical attitude towards the world, towards God and religion and so forth.

Ben's Deep Thoughts

de falla homenaje guitar Though Llobet was not specifically a mystic or deeply religious, he was not anticlerical or antichurch, and he was very ethical himself in his relations to family, friends, and colleagues. He was probably one of the most ethical persons I know in that relationship. In his criticisms he would tend to emphasize the good and minimize whatever was lacking.

In any case, the chronological sequence of the creation of this piece is in the correspondence between Llobet and Falla, which is in the possession of the sister of Falla. At one point when the piece was practically finished they happened to meet in Granada at the house of the Garcia Lorca family.


This I heard from the brother of Federico, Francisco. They had these gatherings there, all kinds of artists, writers, etc. By this time the piece was almost finished, and de falla homenaje guitar work had to do with final dynamic changes — indications.